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Routes in Waimea
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All the Way-A S 5.11a 6c 22 VII+ 22 E3 5c |
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Aquarius S 5.12d 7c 28 IX 28 E6 6b |
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Barracuda S 5.13d 8b 31 X 32 E8 7a |
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Big Kahuna S 5.12d 7c 28 IX 28 E6 6b |
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Bonzai Pipeline T 5.11+ 7a 24 VIII 24 E4 6a |
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Bottom Feeder S 5.13a 7c+ 29 IX+ 29 E6 6c |
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Butt Bongo Fiesta S 5.13a 7c+ 29 IX+ 29 E6 6c |
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Catch the Wave S 5.12c 7b+ 27 IX- 27 E6 6b |
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Charlie Don't Surf S 5.13b 8a 29 IX+ 30 E7 6c |
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China Beach S 5.14b 8c 33 X+ 33 E9 7b |
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China Glide S 5.14d 9a 35 XI 36 E10 7c |
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Cold War S 5.14a 8b+ 32 X+ 32 E8 7a |
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Concrete Jungle S 5.13c 8a+ 30 X- 31 E7 7a |
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Coral Sea S 5.13b 8a 29 IX+ 30 E7 6c |
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Cote d'Azure S 5.13b 8a 29 IX+ 30 E7 6c |
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Cyberblock S 5.13d 8b 31 X 32 E8 7a |
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Dodge the Lemons S 5.13c/d 8b 31 X 31 E8 7a |
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Don't Get Out of the Boat S 5.13a 7c+ 29 IX+ 29 E6 6c |
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E-Ticket S 5.12c 7b+ 27 IX- 27 E6 6b |
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Fly, The S 5.14d 9a 35 XI 36 E10 7c |
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Flying Fish S 5.13c 8a+ 30 X- 31 E7 7a |
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Flying Hawaiian S 5.11b 6c 23 VIII- 23 E3 5c |
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Gold Coast S 5.13c/d 8b 31 X 31 E8 7a |
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Great White S 5.13a 7c+ 29 IX+ 29 E6 6c |
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Groupie Fantasy S 5.11c 6c+ 24 VIII- 24 E4 6a |
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Hawaii 5-O T 5.0 2- 4 I 6 MM 1c |
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Jaws II S 5.15a 9a+ 36 XI+ 37 E11 7c |
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Livin' Astro S 5.14c 8c+ 34 XI- 35 E9 7b |
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Localmotion S 5.13a 7c+ 29 IX+ 29 E6 6c |
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Long Board S 5.10d 6b+ 21 VII+ 21 E3 5b |
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Luau S 5.12a 7a+ 25 VIII+ 25 E5 6a |
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Man Overboard S 5.12d 7c 28 IX 28 E6 6b |
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Mauie Wowie S 5.13b 8a 29 IX+ 30 E7 6c |
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Mr. Gerbick (Refined) S 5.14b 8c 33 X+ 33 E9 7b |
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Muscle Beach S 5.13a 7c+ 29 IX+ 29 E6 6c |
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Open Project S 5.13c 8a+ 30 X- 31 E7 7a |
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Open Project (Bill Clinton) S 5.15 9b 37 XII 38 E11 8a |
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Original Tsunami T 5.6 4c 14 V 12 S 4b A3-4 R |
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Restless Native S 5.12c 7b+ 27 IX- 27 E6 6b |
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Rhythm X S 5.13c 8a+ 30 X- 31 E7 7a |
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Riviera S 5.13d 8b 31 X 32 E8 7a |
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Riviera Don't Surf (Aka Riverboat Charlie) S 5.13d 8b 31 X 32 E8 7a |
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Short Board S 5.11b 6c 23 VIII- 23 E3 5c |
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Sidewalk Surfing S 5.12b/c 7b+ 27 IX- 27 E6 6b |
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Silver Surfer S 5.12a 7a+ 25 VIII+ 25 E5 6a |
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Sinister 6000 S 5.13d 8b 31 X 32 E8 7a |
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Spiny Dogfish TR 5.11c 6c+ 24 VIII- 24 E4 6a |
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Style That's Free, The S 5.14a 8b+ 32 X+ 32 E8 7a |
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Suburban S 5.13a 7c+ 29 IX+ 29 E6 6c |
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Surf's Up T 5.10d 6b+ 21 VII+ 21 E3 5b R |
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TABDITO S 5.13c 8a+ 30 X- 31 E7 7a |
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Technosurfing S 5.12b 7b 26 VIII+ 26 E5 6b |
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That Crack T 5.10a 6a 18 VI+ 18 E1 5a |
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They Died Surfing S 5.13d 8b 31 X 32 E8 7a |
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Tsunami S 5.12d 7c 28 IX 28 E6 6b |
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Tuna Fish is Ludacris S 5.13c 8a+ 30 X- 31 E7 7a |
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Urban Surfer S 5.13d 8b 31 X 32 E8 7a |
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Vantage Point TR 5.11 6c+ 23 VIII- 23 E4 5c |
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Waimea S 5.10d 6b+ 21 VII+ 21 E3 5b |
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Waimea The Weenie Way T 5.10c 6b 20 VII 20 E2 5b |
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Whip Tide S 5.12b 7b 26 VIII+ 26 E5 6b |
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| Type: | Sport |
| FA: | John Mallery and Wayne Burleson, 1993 |
| Page Views: | 8,480 total · 39/month |
| Shared By: | Jay Knower on Nov 29, 2006 |
| Admins: | Jay Knower, M Sprague, Jeffrey LeCours, Jonathan S, Robert Hall |
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Use onX Backcountry to explore the terrain in 3D, view recent satellite imagery, and more. Now available in onX Backcountry Mobile apps! For more information see this post.
Description
If you want to experience Rumney at it's best (or maybe worst?), then look no further than Muscle Beach. The climb starts easily enough, passing a roof. After the roof, the weirdness starts. Expect terrible footholds, terrible hand holds, and a strange feeling that you are still on the wall despite the fact that you really aren't pulling on anything. Then you may realize that you have engaged muscles you never knew you had just to stay on the wall. Then you need to clip, but you realize how futile this proposition really is. Then you grab the draw and/or fall.
Like many other Rumney routes, Muscle Beach does yield once you figure out the contortions, subtleties, and general weirdness required. When you send, you are amazed at how hard it used to feel. That left kneepad didn't hurt though, as you ended up improvising that desperation kneebar at the top. You would have fallen otherwise, but you didn't. You sent. You must be psyched.
Like many other Rumney routes, Muscle Beach does yield once you figure out the contortions, subtleties, and general weirdness required. When you send, you are amazed at how hard it used to feel. That left kneepad didn't hurt though, as you ended up improvising that desperation kneebar at the top. You would have fallen otherwise, but you didn't. You sent. You must be psyched.
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