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Routes in East Buttress
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Adagio T 5.9 5c 17 VI 17 HVS 5a |
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Adam's Rib T 5.9 5c 17 VI 17 HVS 5a |
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Beyond The Abyss S 5.13a 7c+ 29 IX+ 29 E6 6c |
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Block Party S 5.10d 6b+ 21 VII+ 21 E3 5b |
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Chestnut T 5.9 5c 17 VI 17 HVS 5a |
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Fun Park S 5.13a 7c+ 29 IX+ 29 E6 6c |
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Goldrush S 5.12b 7b 26 VIII+ 26 E5 6b |
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Moondance S 5.12b 7b 26 VIII+ 26 E5 6b |
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Neve's Cling On S 5.11b 6c 23 VIII- 23 E3 5c |
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Obscure Root, The T 5.9+ 5c 17 VI 17 E1 5a X |
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Pine Box T 5.10+ 6b+ 21 VII+ 20 E3 5b R |
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Rumble in the Jungle S 5.13a 7c+ 29 IX+ 29 E6 6c |
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Say Goodbye To Hollywood T 5.10 6b 20 VII- 19 E2 5b R |
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Slot Right Step Left T 5.9+ 5c 17 VI 17 E1 5a |
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Slot, The T 5.7 5a 15 V+ 13 MVS 4b |
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Sugar Mama T 5.7 5a 15 V+ 13 MVS 4b R |
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Tap Dancing T 5.11a 6c 22 VII+ 22 E3 5c |
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Unknown S 5.9 5c 17 VI 17 HVS 5a |
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Yellow Latex Blues S 5.10b 6a+ 19 VII- 19 E2 5b |
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Yorkey's Crumpet T 5.8 5b 16 VI- 15 HVS 4c |
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| Type: | Trad, 175 ft (53 m), 3 pitches |
| FA: | Bob Sullivan, 1975 |
| Page Views: | 1,846 total · 12/month |
| Shared By: | S.Mckinna on Aug 5, 2011 · Updates |
| Admins: | Leo Paik, John McNamee, Frances Fierst, Monty, Monomaniac, Tyler KC |
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Description
This is an excellent route! The climb shares a start with another good climb called The Bush.
Pitch 1: go up the wide crack first pitch of The Bush and belay. I can't remember if there are bolts there, but it is a rap station.
Pitch 2: continue up The Bush about halfway, then traverse 20 feet right with a good crack for pro/holds. Belay at an exposed ledge, turning a corner, using hand gear and something smaller. This has a great position with a semi-hanging belay.
Pitch 3: this beautiful pitch traverses an exposed ledge right to a perfect, left-facing corner. I remember the corner to be wide hands mostly.
Pitch 1: go up the wide crack first pitch of The Bush and belay. I can't remember if there are bolts there, but it is a rap station.
Pitch 2: continue up The Bush about halfway, then traverse 20 feet right with a good crack for pro/holds. Belay at an exposed ledge, turning a corner, using hand gear and something smaller. This has a great position with a semi-hanging belay.
Pitch 3: this beautiful pitch traverses an exposed ledge right to a perfect, left-facing corner. I remember the corner to be wide hands mostly.
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