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The Paper Crane 

5.13a

   
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FA: FFA: Joshua Janes, equipped by Mark Howe in 2004
New Route: Yes
Type: Sport
Consensus: 5.13a [details]
Length: 1 pitch, 140 feet
Views: 697 page views

Submitted By: Josh Janes on Jun 22, 2009


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Crux #3. Static moves off small holds (show...


Description 

From the moment I laid eyes on this line I dreamed of climbing it. Everything about this route is special to me and I have many memories, both joyful and painful, from the time I first saw it all the way until it's first ascent and even on to today. I will never forget the beautiful sunsets I watched looking down over the Moab valley, the warm afternoon naps I took on the Porch, and of course the process of working on this climb.

Several years ago, when a friend of mine took me to this unspoiled part of Mill Creek, I was blown away by both the established lines and the potential for new ones, but one thing stood out to me above and beyond the rest: a singular line of well-spaced bolts up a beautiful, gently overhanging, tiger-striped wall that extended almost 150' up from the depths of the canyon to a perfect belay ledge just below the rim. That afternoon I climbed the first half of the wall via the third pitch of "Axis of Evil," 5.12b/c, a previously established route. The climbing was brilliant, but halfway up the headwall, the route escaped off to the left to a corner system, avoiding the obvious direct finish up the stunning prow. This other line, dubbed "The Right Hand of Evil," had been meticulously cleaned and bolted by Mark Howe in 2004, but had seen little action. Supposedly it had been top-roped cleanly by Zach Smith, but it had yet to see a clean lead. I myself toproped it several times over the years, but until recently, usually felt like it was way out of my league. Then, feeling stronger, I called Mark and asked him about it, and he graciously encouraged me to get out there and climb on it. I promptly resumed work on the route, on lead, primarily belayed by my friends Ben and Amanda. After many heartbreaking falls at the high, redpoint crux, the route went down on a sunny autumn afternoon in what I consider perhaps my finest moment of climbing. I'll never be a truly brilliant rock climber, but on that particular day I felt like one. I knew every inch of that stretch of rock so intimately that the redpoint felt more like a conversation between nature and myself than a rock climb... Perhaps I could just as easily say that that little piece of rock up there in Mill Creek actually knew every inch of me. God knows I've laughed, dreamed, and shed my fair share of tears up there. Can you tell I love this climb? But when it comes down to it, that's all it is: a rock climb!

From the edge of the Porch look back at the wall behind you, just up canyon, and you can't miss it. The amazing, steep black streak that begins on a varnished slab far below and tops out by a tiny tree on a foot ledge just below the rim. Fix a line and rap in from the next set of anchors down-canyon, atop Axis Of Evil. Climb 20' up off the belay ledge to the first clip (long sling recommended) which protects an initial boulder problem reaching around an arete and into a corner. From here, follow the corner upwards to a layback flake that leads to a good stance below a small roof and a seam above. Figure out how to use this feature to stretch left -- perhaps the true crux of the route -- to the edge of a sharp flake. After this move, continue bear-hugging and liebacking up the edge of the flake and the arete to the right, performing either big, dynamic moves between good holds, or technical moves off of smaller ones. From here the climbing momentarily eases and you climb up and into a V-shaped inset that provides a comfortable no-hands rest. At this point Axis Of Evil breaks left out of the inset, and The Paper Crane traverses right. Take a deep breath and execute some devilishly technical moves traversing right, and slightly down, from the inset to an exposed, pumpy stance below a 10' vertical crack. Some long moves off of decent edges lead up to the crack, and then a technical double gaston gains the right end of a sloping rail and a chance to get a shake and perhaps make the next clip. The final crux comes as a sequential, pumpy fingertip traverse back left over a steep wall with little for feet, followed by a wonderful stand-up move to a stance that would afford a rest if you weren't feeling like you were going to barn-door at any moment. A deep breath, one more clip, and some powerful liebacking and jamming leads up the final 15' section to a bolted anchor by the tree. This last stretch is protectable with a #3 Camalot, but if you made it this far you have nothing to worry about.

This truly is one of the best climbs I've ever been on: multiple cruxes, amazing, technical movement: climbing that feels more like dancing, and all played out upon a beautiful feature in a breathtaking canyon. I finally arrived on a name for the route, The Paper Crane, in honor of my best friend and her father who passed away. I feel a special connection to him because of my love for his daughter. If you choose to climb this route, please take care of this beautiful area and treat it with respect. It is a magical place. And most of all, enjoy!


Protection 

15 draws, a long sling. A rap line, a lead line.



Photos of The Paper Crane Slideshow Add Photo
The line takes the beautiful black streak up this gently overhanging wall.  It was equipped by Mark Howe a few years ago; he later graciously opened up the project.  The beauty of the line and the area are matched by the movement -- it is flawless for the entirety of it's 130' length.  After some pretty epic belay sessions (thanks Ben & Amanda), it finally went down:  The Paper Crane, 5.13a.<br />

The line takes the beautiful black streak up this ...

Just about to get started.  Ben is in amazing spirits despite having to belay my ass on this thing way too many times.  All photos taken by Amanda Ramsay (who belayed on the send).

Just about to get started. Ben is in amazing spir...

The "boulder problem."  Crux #1.

The "boulder problem." Crux #1.

Crux #2; perhaps the hardest single move on the route.

Crux #2; perhaps the hardest singl...

This is the good shake out just before the third crux.

This is the good shake out just before the third c...

The inset offers nearly complete recovery before the relentless final sequence.

The inset offers nearly complete recovery before t...

This shot shows the start of the hand traverse.

This shot shows the start of the hand traverse.

The final redpoint crux is controlling this hold and the stand up, shown in the next frame.

The final redpoint crux is controlling this hold a...

...standing up.

...standing up.

a chilly day in January, lower millcreek, northside

a chilly day in January, lower millcreek, northsid...


Comments on The Paper Crane Add Comment
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By Albert Newman
Jun 24, 2009

Wow dude, great send! Impressive, verbose, awesome! Rad!

By grayhghost
Sep 24, 2009

great movement, but a bit sandy in spots