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Routes in (m) The Weeping Wall
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Bathsheba T 5.9 5c 17 VI 17 HVS 5a |
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Bye Gully T 5.5 4b 13 IV+ 11 MS 4a |
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Change in the Weather T 5.10b 6a+ 19 VII- 19 E2 5b R |
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Clam Chowder T 5.9 5c 17 VI 17 HVS 5a R |
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Commencement T 5.9 5c 17 VI 17 HVS 5a R |
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Dire Straits T 5.10a 6a 18 VI+ 18 E1 5a X |
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Duck Soup T 5.10c 6b 20 VII 20 E2 5b PG13 |
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Green Monster T 5.9 5c 17 VI 17 HVS 5a |
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Revelation T 5.10a 6a 18 VI+ 18 E1 5a |
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Sampson T 5.9 5c 17 VI 17 HVS 5a |
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Serpentine T 5.9 5c 17 VI 17 HVS 5a |
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Surprise T 5.8 5b 16 VI- 15 HVS 4c R |
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Surprise Direct T 5.9 5c 17 VI 17 HVS 5a R |
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Ten Karat Gold T 5.10a 6a 18 VI+ 18 E1 5a R |
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White Line Fever T 5.10a 6a 18 VI+ 18 E1 5a |
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| Type: | Trad, 200 ft (61 m), 2 pitches |
| FA: | John Long, Richard Harrison & Rick Accomazzo, June 1973 |
| Page Views: | 6,771 total · 30/month |
| Shared By: | C Miller on Jan 19, 2006 |
| Admins: | C Miller, Mike Morley, Adam Stackhouse, Salamanizer Ski, Justin Johnsen, Vicki Schwantes |
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Description
Ten Karat Gold is perhaps the finest route on the Weeping Wall and comes highly recommended, but be aware it's fairly runout with some long falls possible.
P1) Climb past two bolts, make a traverse right and then up to a third bolt (5.9); higher two more bolts lead to a 2 bolt anchor.
P2) The Window Pane Pitch. A crux almost directly off the belay as you traverse right to a small stance and the first of two bolts on this runout pitch.
Clip the bolt and work your way upwards making a 5.9 move way out from your last bolt. Clip the second bolt and your home free - a bit of slab paddling gains the top.
P1) Climb past two bolts, make a traverse right and then up to a third bolt (5.9); higher two more bolts lead to a 2 bolt anchor.
P2) The Window Pane Pitch. A crux almost directly off the belay as you traverse right to a small stance and the first of two bolts on this runout pitch.
Clip the bolt and work your way upwards making a 5.9 move way out from your last bolt. Clip the second bolt and your home free - a bit of slab paddling gains the top.
- Descend via Bye Gully.
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